Monday, August 23, 2010

Nigerian Art - A Gathering Momentum


Finally it seems Nigerian art, especially modern contemporary Nigerian art, and indeed antiquities, are beginning to creep into their pride of place. What with the occasional auctions that are organized by a few private stakeholders, not to mention of course the now annual Lagos art expo put together by he association of gallery owners, etc. But in all of these and above all, it is worthy of mention that Nigerian art is after all going on the international art auction
Just recently, Bonhams, a British auction house put up an international auction of African art in New York, USA, in March this year. It is also cheery to note that given the five most expensive woks at this event, they were all Nigerian, in which a painting by the late Ben Enwonwu - depicting some of the artist’s characteristic dazzling dancers, went for $91,000.
Thence one will now begin to see the far sightedness and wisdom in the uncanny hobby or pastime that the few or tiny circle of ardent collectors we have in Nigeria today, have chosen to embark on from many years back, and even so for those who would be genuinely embarking on a similar journey even from now on. This tiny circle of collectors makes strong statements about the government caring very little about preserving this rich artistic heritage, and in the same vein share the cynicism of many Nigerians, who think the politicians are more eager to grab a share of the revenues of sub-Saharan Africa’s biggest oil producer. But the labours of love of these few dedicated patrons have begun to pay off as these collections are beginning to attract international attention as well as cash. And so, this is fast becoming a good place to spend some of the huge oil money that flow in a country that still has the majority of her bewildered and beleaguered general masses grinding and cringing in abject poverty.
Even with all of these, it is still generally strongly believed that Nigeria’s art is still very much undervalued, This sentiment is shared by many of those collectors who were at the auction, and even more so by Mr.Giles Peppiatt, director of contemporary African art at Bonhams. He states that prices are bound to go up. So brace up, for the journey it seems, has just begun,

Sunday, June 27, 2010

Perfect Glasses – Fashion and Solution


It is not often that fashion and health are seen in association, but the creations and the attractive, even though simplistic flair that are exhibited by the products of an online eyeglass ‘boutique’ http://www.perfectglassesusa.com that specializes in catering for the visual health and I dare say, facial fashion of its customers – are worthy of note. It is also very rare to find recommended or prescription glasses that are actually meant for sight correction looking so elegant, complemental and regal on the wearer.

The site of this specialized on-line store greets one with an ambience of friendliness and subtle brilliance as could be found in the range of products. Paul Frank Sunglasses are as fashionable as they are in functionality. Byeby blues - Blueice are anyone’s favourite any day in their alluring calm colour and splendid style. So also are the Women’s Glasses and the rest of the prescription products and sunglasses such as Men’s Glasses, German Glasses, Kids’ Glasses, and Mustache Museum, etc.

The real attraction on the whole is really that prescription glasses and the rest of them all can actually be found in a one-stop on-line destination in a range replete with elegance, colourful appeal, and stylish creativity all at the same time. Yet all of these range of products come with affordable tags as well as friendly discounts and bonuses.

Morgan Nwanguma

Thursday, April 22, 2010

Ben Enwonwu

Art personality

Let us take a look as we do a brief feature on art personality. The late Professor Ben Enwonwu easily stands out as a legendary figure on the landscape of contemporary Nigerian Art. As a fresh graduate just out of art school, Enwonwu had the singular rare honour of having the Queen of England visiting his studio and posing for a life-size sculpture.


In July 1937, Kenneth C. Murray exhibited the works of his pioneer students at the Zwemmer Gallery in London and this marked Enwonwu's first representation as an artist in the British Empire. Though not yet a professional, this exhibition earned him favorable recognition in Nigeria and England, as well as encouraging remarks from Rt. Hon. Ormby Gore, then Secretary of State for the Colonies, who performed the opening ceremonies.

Painting by Ben Enwonwu

 In 1938, Enwonwu took part in the Glasgow Empire exhibition and in 1944 he was awarded a Scholarship to study art in the United Kingdom. The Nigerian Colonial Government, the British Council and the Shell Petroleum jointly sponsored this scholarship which came about through a chance meeting with L. N. Harford, then Director of Shell (West Africa) at a one man exhibition of Enwonwu's works in Lagos in 1943.

Enwonwu attended Goldsmith College, London in 1944, Ruskin College, Oxford from 1944 to 1946, and Slade School of Fine Arts of the University of London, from 1946 to 1948. In these institutions, he studied Drawing, Painting and Sculpture, Aesthetics, and History of Western Art and graduated with distinction in sculpture. In 1946, on the invitation of Sir Julian Huxley, Director-General of UNESCO, Enwonwu participated in the Musee d'Art Moderne's International Exhibition of Modern Art held in Paris.

Enwonwu's participation in this exhibition indicates a high level of recognition of his art in the Western critical establishment. Such recognition can in part be attributed to the fact that he was perhaps one of the few African artists operating at that professional level in Britain during this period.

Thursday, March 4, 2010

Ikom Stone Monoliths

Today I am so excited to be taking you on a very interesting journey. Our journey will take us into the forests of the south-east of Nigeria; we shall also go into the origins of some of the traditional art practices or movements from these parts of Nigeria. Thus some of these are forebears of the modern art style that have become so relevant today. Now we go on a trip to the forests of Ikom to see one of the lesser known ancient cultures of Nigeria - the Ikom Stone Monoliths.


Ikom Stone Monolith

For close to 100 years, Alok, a sleepy community in Ikom Local Government Area (LGA) of Cross River State has been attracting scholars, tourists and the simply curious because of the local station of the National Commission for Museums and Monuments (NCMM) located there.

Alok's Open-Air Museums (AOAM) continue to lure many visitors even though its exhibits are all about the dead, or just about so. Alok's open-air museums hold Akwanshi, a local word, which translates as "dead people." Although Akwanshi stands for dead people, it also refers to a family stone circle in some context. These circles developed from the tradition of the people of Akajuk, Nnam, Nde, Nta, Nsle and so on. Whenever someone died in such areas, the survivors of the dead person would go and drop a stone in memory of the departed. For unknown reasons, the tombstones were dropped in such a geometric pattern that after a while a circle evolved, according to Chief Sylvanus Ekoh Akong, Head of Station of AOAM.

These ancient stone sculptures, also called monoliths, are sometimes referred to as Ikom Monoliths or Nkarasi Monoliths. However, such monoliths, usually arranged in circles could be found across Nnam land. Alok, Emangabe and many other settlements make up the Nnam nation, whose people speak various dialects of Nnam. The people of Alok speak Nnam, a dialect of Ejagham. Alok is a village in Nnam clan, which comprises 27 villages. Interestingly, there are 27 circles of Akwanshi or Akwansi in Nnam land. Nnam-an Nkunu is the generic name of the Nnam people, Chief Akong explained.

Tuesday, February 2, 2010

My Gallery

'A jazzy affair' - watercolour

'A problem of water' - oil/canvas

'Precious moments' - watercolour

'Power of love' - watercolour & ink

'Mobile' - oil/canvas

'Somebody's home' - oil/canvas

'State of the union' - watercolour & ink

'Elation' - oil/canvas

'Face of Africa' - oil/canvas

'Where are the Prophets' - oil/canvas

Monday, January 25, 2010

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Art Movements, Styles and Terminologies

As we look at the various styles and art terminologies, we shall begin to see how and why such terms were derived. Sometimes the term of an art form or style is easily derived from its physical appearance. Thus the knowledge of these definitions should be especially helpful to the average art researcher or patron, artists, teachers, and students alike, and also considering the fact that art theory has become extremely useful in our current schools art curriculum.
 
Abstract art
An abstract genre of art whereby artistic content depends on internal form rather than pictorial representation. This is a concept or idea not associated with any specific instance.

Abstract art (watercolour painting by Morgan Nwanguma)

Realism
This has to do with the attribute of accepting the facts of life and favouring practicality and literal truth. An artistic movement in 19th century France marked by the striving of artists and writers for detailed realistic and factual description in their works.

Mosaic
This is art consisting of a design made of small pieces of coloured stones or glass.

Collage
This is a form of art requiring paste-ups made by sticking together pieces of paper or photographs. We also have photomontage, which is also a form of collage whereby photographs are placed side by side.

All in Your Eyes